My Top 5 in Ancient Roman France

In the spring, I learned I was the recipient of the Classical Association of the Middle West and South's Janice and Herbert Benario Award for travel to classical lands. I eagerly chose to use the fellowship for a Vergilian Society tour of "Ancient France." When I found out that one of the award's namesakes, Janice Benario, a former Latin teacher, had been a codebreaker for the US military during WWII, I was inspired to also visit the Normandy Beaches on this trip. I've been researching a new lesson unit for my Roman Technology class that focuses on ancient cryptography.

I've just returned from my wonderful adventure, and yes, I've already organized my pictures into a Webpage for those of you who want to learn about the sites and see pictures. (If I don't do it quickly, I'll forget.) A couple of years ago, when I returned from my Roman Britain odyssey, I made a Website called "Roman Britain for Latin Teachers." I've added my France experience as a page on that site. You can access it by going here.

To put things into perspective, I'm doing a countdown of my favorite experiences. Get ready for some surprises!

5. The ROMAN SHIPS of Provence. Considering the close proximity to the Mediterranean, I should have expected to see a lot of ships on this trip, but knowing that wood doesn't normally survive well in the archaeological record, I didn't expect it. And they were SPECTACULAR. The archaeological museum in Arles dedicated a whole wing to the Arles Rhone 3, a Roman barge excavated nearby. I marveled at the size of it, the process of preserving it, and how it's displayed. You can learn lots more by going to the Arles Harbor Dump Website. I also enjoyed looking at this site on Roman docks from all over the empire.

4. ARROMANCHES DES BAINS was a charming French beach resort town destroyed by the Nazis during the early years of World War II. The Allied Forces captured it during the D-Day invasion and used it to build artificial harbors (code name: mulberries) that could land large land vehicles like tanks from transport vessels. I was completely and utterly fascinated with the process. The interpretation at the museum dedicated to the site was very detailed, including great models and films. I could have used another day here to take it all in. Only a few of the actual structures still remain, but I learned so much at this site that bolstered my understanding of the enormity of Operation Overlord.

3. MONT SAINT MICHEL was such a magical place. I didn't expect to be taken by it, but I was. In fact, my husband and I argued about staying longer. We both wanted to, but we had a long drive ahead of us with an interesting site to see the next day so we had to leave earlier than we wanted to. We did a tour of the abbey at the very top of the giant rock that the site sits on, and that tour was EVERYTHING. We wandered around looking at unbelievable views of the seemingly endless mudflats in every direction. It was at this moment that my husband, a huge Lord of the Rings fan, turned to me and said, "This is Minas Tirith." Sure enough (we looked it up later), both Tolkien and Peter Jackson (the director of the films) used this monument as inspiration for the castle of Minas Tirith.

2. Coming in second is THE BAYEUX TAPESTRY. I know. You're thinking, "WHAT. THE. F.? It's just a piece of cloth." I know, but I love it. First, it's not a tapestry as in a woven piece of cloth, at least the decoration is not. The images are actually embroidered on long pieces of a woven original linen cloth. This thing is OLD, like 1000 years old. In a series of Latin titles at the top of each panel, it tells the story (very much propaganda) of William the Conquerer's take-over of England at the Battle of Hastings in 1066 CE. It's thought that the embroidery was done in the Canterbury area of England by a team of expert women artists. It was displayed yearly in the nave of the Cathedral of Notre Dame in Bayeux. At other times, it was kept rolled up in a special box that was removed by the Nazis to the Louvre during the invasion and occupation of France during WWII. In the current museum in Bayeux, visitors are not allowed to take pictures of it. I'm glad I got to see it in Bayeux because I just heard that for the first time in history, it will be displayed in England at the British Museum starting in September of 2026, while the Bayeux museum gets a renovation. Reading about this loan on social media led me to learn that in the 1800s British embroiderers created a copy of the Tapestry that is displayed at the Reading Museum. I'm already considering how I can create a lesson for my Latin students on this amazing piece of history! For now, take a look at this historical recreation tool!

1. And my #1 experience should come as no surprise - the PONT DU GARD was simply jaw-droppingly gorgeous and fascinating on every level. It's the sole reason I chose to go on this trip. Part of the Roman aqueduct that started at a source in Uzes, it serviced the large Roman town of Nemausus (modern Nimes) with fresh water. This structure has survived and is a very popular vacation spot in France. People swim in the river Gardon that the structure spans. The museum dedicated to it was fantastic with models of the whole aqueduct, the engineering tools used to build it, and the working spaces of the builders. 

Because the tour I was on did not plan to arrive at the site until mid-morning, I made the decision to Uber there early so we could have a longer experience. Am I glad I made that decision! When we arrived, there was nearly no one there except for a local walking his dog and a photographer. We walked down to the river bank and ate breakfast staring up at the ancient structure. We spent a ton of time in the museum, strolled the bridge (built later) along the structure, and climbed up to the top to see where the water ran. Unfortunately, I didn't get to do the tour of the water channel which made me very sad (out of my control), but on my hike to the top, I observed little kids on a tour coming out of the channel. I wonder if people walk the whole path of the aqueduct? That would be a really cool thing to do! The Romans are often remembered for their amphitheaters and streets, but their aqueducts are just as spectacular.

I'm so grateful I got to have this experience. Be on the lookout for some cool hands-on history and STEM lessons already in the percolator. 

The Year in Roman Technology: "Unhinged" Secret Messages

People always ask, "What do teachers do during the summer?" Some actually work. In fact, I normally work at my school's summer camp. This year, I decided to take a breath and sit down. It's been almost a week now, and I'm about to go crazy. LOL. Kinda. I've always been someone who can't sit still mentally...well, or physically. I'm researching two really cool projects for next year so I thought I'd share what I'm learning, as I like to do.

ANCIENT CRYPTOGRAPHY!!!! A few years ago, one of my Latin/Science Olympiad students approached me to tell me about his cryptography club at the library. Intriguing. He told me that he had learned about the Caesar Cipher, an ancient mechanism whereby Julius Caesar, the 1st century Roman general, encrypted his messages during wartime. I had never heard of it! Of course, he told me everything he knew, and I furiously wrote it down...thinking, "OHHHH, this will be a GREAT RoTech unit!" I immediately thought of that time in DE BELLO GALLICO where Caesar sends a secret message to one of his men using a spear. I ALWAYS wanted to know how he did it.

Then, during spring break, by divine intervention, I'm sure, I ran across an online webinar about the Roman dodecahedron. Since we had talked about this little mystery device in my RoTech class, I decided to click the link. It led me to a tour company that sponsors professionals in many different fields to talk about topics related to their tour locations. It was here that I discovered a series of lectures on ancient Greek and Roman cryptography! These lectures, given by Dr. Martine Diepenbroek, discussed all kinds of ancient encryption. She talked about ancient encryption techniques, including the Spartan scytale which involved wrapping a message around a stick or spear. I immediately bought her book, The Spartan Scytale and Developments in Ancient and Modern Cryptography. She also mentioned a Greek author I had never heard of: Aineias the Tactician whose book on war tactics includes a whole chapter about encryption. I ordered that too! LOL

I've started reading these two works, and I'm having an absolute blast. Aineias, a 4th-century BCE Greek writer, wrote a work called How to Survive Under Siege. Lots of info here, but the most interesting chapter is all about hiding messages so that your enemy can't read them. If you're on TikTok, you've probably seen that trend where someone says, "Give me your most UNHINGED examples of blah, blah." Examples include nurses asking for ways to assist with difficult patients to teachers asking for ways to quiet a classroom. Well, this Aineias guy is something else!! Reading his encryption techniques is basically that TikTok trend: "Give me your most unhinged ways to hide a message that will evade the enemy!" Hold my beer: "Shave a slave's head, tattoo your message on his scalp, and then give him time to regrow his hair before sending him off." Like, WHUT??! "Scratch your message into a thin piece of lead, secretly slip it into the leather layers of a shoe heel, and then send off the shoe wearer. Unbeknownst to the shoe wearer while he's sleeping, the receiver of the message will retrieve the shoe, find the message, scratch his answer, and sew it back into the shoe."

Diepenbroek's work has been so informative as well. For example, I learned the difference between STEGANOGRAPHY and CRYPTOGRAPHY. In case you didn't know, steganography is "the practice of hiding a message within another message, an image, or an object, without giving the idea that a secret message is hidden in it." It's a broad term for LOTS of different types of messages, similar to the ones above. She also has a comprehensive list of ancient authors who use or talk about cryptography in their works.

I got so excited reading about these that I decided to try out the Caesar Cipher as a quick end-of-year activity with my students. I led them in creating a Caesar Cipher wheel, linked here. And then, they enjoyed decoding a few current brain-rot words that made them cringe like "THE RIZZLER". Their faces fell in true bitterness when they decoded BOOGER TOUCH - our favorite little game to play on Fridays. 

Diepenbroek's book mainly discusses the Spartan scytale, a method of encrypting messages using a particular size of stick (trust me, the lesson on this one is gonna be SOOO fun) and how it gave birth to the modern cryptography movement. I'm excited to read it because in the modern STEM world, teaching kids to code at all ages is the rage. I'm excited to connect this stuff to the ancient world of Greece and Rome!

I'm particularly interested in ancient cryptography right now because I'm so fortunate to be the recipient of the 2025 Classical Association of the Middle West and South's Benario Travel Award, a fellowship for travels to classical lands. Herbert and Janice Benario, the award's namesakes, are former Latin teachers from Georgia, but before she became a Latin teacher, Janice served as a code breaker for the US Navy during WWII! Check out interviews done with her here as part of the oral history project done by the National WWII Museum (in my home state of Louisiana.) What a connection!

I chose to use my fellowship to take an archaeological tour of ancient Provence (southern France). I've always wanted to see the Pont du Gard, a super famous Roman aqueduct and UNESCO World Heritage Site. But before I make my way south, I've decided to see the WWII sites on the Normandy Beaches, the Bayeux Tapestry, and Mont St. Michel. I can't wait to learn all I can about the work that Janice Benario did and many other codebreakers like her. Recently, I read Bruchac's Code Talker: A Novel about the Navajo Marines of World War Two. I also need to get hold of Kahn's Codebreakers: The Comprehensive History of Secret Communication from Ancient Times to the Internet. More secret messages to come!

The Roman Shoe Project: Worn Down

Today, I saw a meme on Instagram that pictured a group of tiny students. They were sitting on a classroom floor in front of an interactive board. One little boy was standing up clicking a button on the screen. The text at the top of the picture said, "It's May. Teach yourself!" I admit to laughing because I understand that bone-tiredness that all teachers get as we spend these last few days of school trying to keep our sanity in rooms full of teenagers who are just as "done" as we are. Indeed, we are "worn down" like some old Roman leather shoes...

But I have a few things I want to wrap up before I walk off into the sunset:

THE ROMAN SHOE PROJECT: We finished out the year by wear-testing our shoes on different surfaces (concrete and tile) and in different conditions (wet and dry). We found that the laces of our shoes need to be really strong to withstand the wear of regular tightening and putting on/taking off. We only wore our shoes for approximately 5 hours. In just that time, some of them were falling off of feet. The bottoms of the soles got very rough with just a little wear. During our hydraulics unit that ended the year, we got our shoes a little wet as we constructed and tested aqueducts and shadufs. Wetting the leather made it stiffer. Overall, we predicted that our shoes might last a few months in all with constant wear. No wonder there were so many SUTORES (shoemakers) on sight in ancient cities and forts - Romans must have gone through a LOT of shoes.

The shoes will now go home with their makers. Some plan to hang them on their bedroom walls as mementos of the year, others are excited to show their parents, and some will be leaving them with me to serve as shoe examples for future classes.

Just this past week, I was excited to present our work on the Roman Shoe Project at the annual conference of EXARC, an international organization dedicated to exploring experimental archaeology. Since the conference was at the University of Curitiba, Brazil, I was not able to attend, although I thought about going. It was exciting to watch my pre-recorded presentation being played live via YouTube on the EXARC channel and see positive feedback on our process. While I'm sad to leave this project behind, I'm already cooking up a new class for next year.

HANDS-ON HISTORY: Now in the middle of my two-year Grosvenor Teacher Fellowship with National Geographic and Lindblad Expeditions, I've met so many amazing teachers who do super cool stuff OUTSIDE. My own experiences working on large outdoor projects with my students (like the Penelope Project and the Roman Road Project) inspired me to develop a class that meets and works outdoors entirely. Since I want the students to explore ancient cultures of Louisiana and other places in addition to the classical world, I decided to call it "Hands-On History: Wisdom of the Ancients." In this class, we'll focus on place-based learning, partnering with the Indigenous tribes of Louisiana, the Louisiana Division of Archaeology, and the newly-built South Branch of the East Baton Rouge Parish Library down the street from our school. We'll be building a school garden and composting area and exploring an oral history project about a sheep farm that inhabited the land where the library is located, among many other things. We will continue to explore archaeology and the artifacts that have stories to tell about the people who made them, used them, and owned them, whose voices have long ago faded away. I'm hoping to write a lot about our projects and all the new things I learn as I prepare.

The Roman Shoe Project: Digital Footprints

Before I leave this project in the dust, I want to list sources we used to make our shoe project happen so that anyone else making the same endeavor has this list to start with.

#1 on any list about Roman shoes should be Dr. Carol van Driel Murray's writings. Her many articles about ancient leather and thereby shoes made this project possible. Fascinating and specific, it's an opus that anyone else can only dream of achieving. So grateful to her for all the knowledge she has imparted, I emailed her to thank her in February. She replied that our project had made her day...and sent me more articles. Even though she's now officially retired, she retains a working Webpage with linked articles that you can access for free. I know I say this a lot to the point of sounding like a broken record, but if you admire the work of a particular professional, reach out. They love to talk about their work and to know that it's being used.

The place to start with van Driel Murray's work is her chapter called "Footwear in the North-Western Provinces of the Roman Empire," in Stepping Through Time: Archaeological Footwear from Prehistoric Times until 1800 by Olaf Goubitz. His drawings of Roman shoes really explained so much. Her description of shoe construction in this chapter was very detailed and helpful. (At $75, this book is expensive, but totally worth it.)

Although I read a LOT by van Driel Murray before we started this project, the most interesting details I learned were:
1. The Romans invented vegetable-tanned leather. Before they arrived, leather as we know it today (tanned to preserve it) did not exist (and it was not found in the archaeological record). When they left northern Europe, the knowledge and technology of the process seemed to have gone with them until it appeared later in history.
2. Before the Romans, shoes were quiet. I had never considered this aspect of shoes before, and it was a bit of a revelation. Roman soldiers wore nailed shoes that made a lot of noise when walking - this style of shoe spread to other non-military shoe-wearers because of their durability, but they got interested due to the noise they made, kind of like an annoying advertisement. The study of soldiers and shoes goes hand and hand.

To learn more about the process of tanning leather, read her Chapter 19 in Oleson's The Oxford Handbook of Engineering and Technology in the Classical World (my RoTech Bible), "Tanning and Leather." An article I wanted to read but didn't get to was "Are we missing something? The elusive tanneries of the Roman period." In R. Thomson and Q. Mould (eds) Leather Tanneries: The archaeological evidence, 69–83. London, Archetype. You know how sometimes when you're studying something, your eyes are opened to a new world of joy...or as in this case, horror? That was my experience as I learned about the tanning process. Unfortunately, in some parts of the world, this process remains relatively unchanged from ancient times. This gruesome chemical process takes its toll on the lives of its workers.

In case you don't believe me about van Driel Murray's work, check out this bibliography of it. Yes, someone wrote an article about all her articles and chapters!

Next on the list of SUPER HELPFUL Roman shoe scholars is Dr. Beth Greene. A classical archaeologist at the Western University of Ontario, she has been a true inspiration for this project. Back in December of 2021, I watched an "Archaeology Abridged" lecture by her sponsored by the Archaeological Institute of America in which she spoke about the incredible archaeological finds at Vindolanda on Hadrian's Wall. I was absolutely TAKEN by this lecture. I mean, I knew about Vindolanda, but I was just not aware of its significance and its uniqueness. I subsequently joined in again for another lecture (this one sponsored by the Vindolanda Trust) specifically on the leather shoes found at Vindolanda. I also listened to numerous podcast interviews with Dr. Greene, and I started to amass the knowledge needed to begin the Roman Shoe Project. 

A couple of years later, I applied for and secured a teacher travel scholarship in which I designed my own tour of Roman Britain. Of course, I included Vindolanda, and it was there that by the most brilliant stroke of luck, I spotted Dr. Greene at the open-for-public-viewing archaeological pit at the site. She had literally just pulled the sole of a Roman leather shoe out of the actual ground!!! I introduced myself and told her about my planned project, and she actually got excited - she said that she and her research assistant, Cheyenne Eversole-Spina, were developing lessons on Roman shoes that my students and I might be able to help with. I was thrilled!

Even though the lessons never really got finished (Cheyenne got super busy with her wedding and finishing her dissertation), Dr. Greene was extremely kind to speak to my students not once but THREE times. In addition, when I showed up to a webinar about her new book (with Barbara Birley) 50 Objects from Vindolanda, they sent me an advance signed copy with a lovely note inside: "Thanks for loving the Romans."

Dr. Greene's work was also very helpful:
1. She is the principal investigator at the Vindolanda Leather Project - she works at Vindolanda nearly every summer and is currently working on a book on Roman leather shoes.
2. The VLP contains this wonderful bibliography on Roman leather shoes.
3. This video of Dr. Greene explaining the different types of Roman shoes gave my students a solid overview.
4. Her article in Shoes, Slippers, and Sandals: Feet and Footwear in Classical Antiquity - "Metal Fittings on the Vindolanda Shoes: Footwear and Evidence for Podiatric Knowledge in the Roman World" hinted at an aspect of footwear that my students showed great interest in.

In addition to the people with knowledge of ancient shoes, I have to thank the shoe-maker with the practical know-how. I was introduced to Martin Moser, a historical shoe-maker and leather craftsman, on a Facebook group dedicated to historical re-enactment. His Website Res Rarae ("rare things" in Latin) is like looking through a treasure trove! I reached out to him via email, and he got back to me every single time. He was the one who suggested the simple carbatina for my students to recreate. I asked him countless questions about tools, patterns, leather, etc., and he never failed to share his knowledge with me with the greatest generosity. I even asked him to Zoom visit us, but he was nervous about his English speaking skills (he is Dutch). What a kind soul! I hope I get to meet him one day and thank him in person. 


You might be wondering, "Nathalie, did you call any shoe craftsmen in Baton Rouge?" And the answer is YES, I did, because I figured they would be able to help us, even though we were working on ancient stuff. But none of them ever replied to me.

As you can probably tell, I needed a LOT of help on this project. This project was a lot of fun, but it also caused me some stress. I was SO worried about actually getting our shoes made, but as with all our projects, we got it done. Stretching our brains can cause some stress, but in the end, our brains expand. My only regret with this project is that I didn't make MY OWN SELF a pair of Roman leather shoes, y'all!! I can't even believe it. I got so busy helping the students (in fact, there are exactly three pairs of shoes I will finish sewing for three kids who were sick during sewing time and still don't have their shoes)...that I didn't take care of my own two feet. Sigh...one day. Happy trails, Roman Shoe Project!

The Roman Shoe Project: The HEELing Art of Shoemaking

I asked my Roman Technology students, "How many people can say they know someone who's actually made a pair of shoes?" Before I realized my mistake, they looked around with sly smiles on their faces. One kid finally said, "Uh, I know about 25!"

Our shoes are finally done! We started in January, missed a lot of days due to weather, field trips, and special events, and finished right in time for the end of the 3rd quarter. It was a challenging project for some of my students who lacked the fine motor skills necessary for cutting and sewing, but my helpful students refused to let anyone fall behind.

On Monday, we ended our Roman shoe unit by reflecting on what we learned. Most students were most proud of themselves for learning to sew. It was their first experience with this skill. Many students mentioned how much they enjoyed this project because it gave them the freedom to be creative while spending time chatting with friends in their class as they worked. When asked to reflect on the lives of ancient shoemakers, the students used words like "tedious, physically hard, and stressful" to describe the experience. 

Our next step was to celebrate our shoes by having a fashion show. Of course, we had to use the Roman road as our runway. I mean, come onnnnn!! What better location?! For the show day, I asked the students to wear colorful socks so that they would show through the decorative punches in their shoes. It's thought that the Romans did the same thing in the colder climates of the northern empire.

Our next step will be to test the shoe construction on different surfaces. On some days we will wear the shoes to walk around our classroom and do normal tasks. On other days when we work outside (for our aqueduct STEM challenge), we'll be wearing them on concrete sidewalks. At the end of the 4th quarter, we'll look at wear patterns. To be clear, the Romans called these shoes CARBATINAE. They were meant to be worn as "slipper shoes" around the Roman house so we'll be stressing ours a little beyond their capabilities.

The Roman Shoe Project: SHOEperstars!!

Y'all!!! Our shoes are done, but before I share pictures of our runway sho(w)e (LOL, get it?), I wanted to talk about the long process of building before we slip on our shoes.

Step 1: Find a pattern.

My biggest fear about this project was not having a pattern for a shoe that we could easily reproduce. A shoe-making expert had sent me a picture of a pattern he uses, but a picture of a pattern is not a pattern. I knew I couldn't draw a pattern myself. I thought back to all the times I handled Roman shoe replicas at British archaeological sites in 2022 and wished that I had had the forethought to trace out one of those shoes into a pattern. But then in randomly searching around the internet, I found this simple pattern, and all my fears dissipated. I knew we could easily Romanize it, and I liked that it did not involve cutting out inner circles within the leather because younger students often have issues with cutting out intricate designs.

Step 2: Visit the experts in person.

My next biggest fear was ordering the right leather, but then I remembered my advice to others about a big project: go to the experts and ask them. Since the amazing Tandy Leather store that used to be on Government Street right near my school was no longer there, I visited the Tandy location in New Orleans. To be fair, few people today walk into a leather store and ask for advice in making 75 pairs of ancient Roman leather shoes so I wasn't expecting much help, but the Tandy expert was super knowledgeable and interested in our project. She showed me samples and gave me advice on what and how much to order. I'm so glad I took my own advice.

Step 3: Order the leather.

Put aside all feelings of your own personal vegetarian sadness and order the leather. This step really needs its own post because it was truly hard for me to learn about the leathermaking process. I became a vegetarian in the late 90s because I dislike the meat industry - it's bad for the planet, but I'll say this: after learning about leathermaking, I feel better for the animals (leather is really a byproduct of the much bigger meat industry), but I feel worse for the humans who work in it. More on this later...

Step 4: Receive a giant order of 8 leather hides.

After ordering our hides, I was shocked to receive them only a few days later out of Fort Worth, TX. Of course, they would come from there. Tandy Leather runs its headquarters out of Fort Worth, home of the Stockyards, a historic livestock market. The box was HUGE, and the hides, when rolled out, looked like...hides. I don't know why I was shocked by this. They were smooth and cool to the touch and had that leather smell to them. I ordered 4 black ones (dyed) and 4 natural ones (probably bleached a bit to give that buttery pale color.)

Step 5: Prepare the patterns.

Every student got a paper pattern to cut out and adapt to their feet. Kids with longer or wider feet had to expand the pattern a bit with extra paper and tape. Once done, they visited the leather cut-out station where I myself placed their pattern on the leather hides and roughly cut them out. This was the one job I felt I should do for them to make sure we used the leather wisely and did not run out. Our leather was expensive (a little more than $1000), and I wanted to honor the spirit of our leather.

Step 6: Trace the patterns.

Each student taped their paper pattern to their leather, and then they used a blue ink pen to trace their pattern on the rough side of the leather. (Not exactly Roman for sure, but we discussed how the Romans might have achieved this task.) This process was time-consuming. Once one shoe was traced, they flipped the pattern over, taped it down to the leather again, and traced it on their leather. This process allowed for a LEFT and RIGHT shoe pretty easily.

Step 7: Cut the patterns out.

Oh my Zeus. This process seemed to take FOREVER - it happened around the time of the "flurricane" in Louisiana. When we returned from being out of school for a whole week, an endless stream of rescheduled events and special programs started up. Some days, only half the class was present. Some days, the whole class was present, but we only met for half the time. Some students can't physically use scissors. And yes, we learned that the Romans would have used very sharp leather knives to cut their patterns, but scissors were a much safer option for young students. Faster students offered help to students with less fine motor skills too.

Step 8: Tool the leather.

In this step, students punched holes in the leather to pass their laces through, but they also decorated their leather. Some chose punched designs that surprised me with their intricacy. Others used stamps. We had learned about the stamped shoe found at Vindolanda that touted the shoemaker's name.

Step 9: Sew the heels.

Most of my students had never sewed anything before. In fact, in the final survey for the project, most students wrote that they were proud of themselves for learning to sew, a skill they knew nothing about until this class. Sewing leather can be complicated if the holes are not big enough for the needle to pass through as leather is sinewy. The Romans would have used animal sinew to sew their shoes. I had ordered some that I hoped we would use for this process, but the combination of teaching novice sewers to sew with a tricky "fabric" conquered my dream of authenticity. I ended up punching through every single pair of shoes with a multi-pronged awl to speed the process. Did my arm nearly fall off by the end of that day? Yes. Did it get the job done? Also yes. It's times like these that really help me to understand the physical work of ancient craftspeople. Once the heels had holes in the right places to allow for a flap fold in the pattern, students who picked up sewing more quickly had their shoes in no time at all. They volunteered to help their less experienced friends too.

Step 10: Lace the shoes.

This step went so quickly. In fact, I passed off my job of cutting leather straps to a "lace expert" student while I helped with sewing. As soon as heels got sewn up, it was nearly impossible for the students not to try on their shoes right away. As they would prance over with the shoes all laced up on their feet, I squealed nearly every single time. I seriously wanted to cry.

Step 11: Tighten up the fit.

The beauty of this pattern is that it can be fit to any crazy-sized foot - slender, double-wide, super long. The lace in the front was easy to adjust.

The Roman Shoe Project: Tiny Animal Tracks

One of the absolute cutest things I've ever seen at a Roman museum is this little leather scrap mouse.

Found in a box of leather offcuts or scraps, the mouse is about as long as my hand, and it has little tiny cuts that were made to look like fur. Was it meant as a toy for a child, or a joke from one leather craftsman to another? No one knows.

As my students learned to work leather in the beginning of our project, we read about this little mouse on p.91 in the new book 50 Objects from Vindolanda (I'll be reviewing it later this month) by Barbara Birley and Elizabeth Greene. The book is full of wonderfully intriguing objects that leave the reader wanting more.

As the students got started with leather working, they practiced casing (wetting) leather so that it could receive stamping. They designed their cuffs by tracing them and then sketching their ideas out on paper. This process helped them to familiarize themselves with the available stamps and experiment with the tools and process. One famous leather shoe, found in Vindolanda, and discussed on p.19 in the aforementioned book, contains the stamp of its maker! Probably what modern people might call a "designer shoe," the Lepidina sandal contains a number of decorative stamps and one that says "Lucius Aebutius Thales." It's probably the very first designer mark in history!

I was shocked at some of the cuff patterns and designs my students came up with - they are infinitely creative so I took some cute pics of them. I was also shocked at how loud my classroom became when 25 students started banging away at leather stamps with their hammers. You can hear 7 seconds of that in this short video. Imagine that times 1 hour. Enjoy!

When students were done with their cuffs, I tasked them with tooling scrap leather to look like an animal of their choice. And they came up with such cute lil cuties!! I'm constantly amazed at their ideas. When given the proper tools and instruction, young students can really do big things!